Laramie Movie Scope:
The Best and Worst Films of 2008
My picks for the top and bottom films of 2008
by Robert Roten, Film Critic
May 10, 2009 -- It is way past time to look
back on the year 2008. I skipped most of the bad movies, as usual (sue
me) so my “worst of” list is almost non-existent this year, but I've
seen most of the best films of last year. Usually, there are six to
eight A films (four stars out of four), but this year was an exception.
I had 12 films that rate an A. This is strange, because it seemed that
several months went by this year when there were no films worth seeing.
A lot of my top 10 films were films that were not widely distributed
for one reason or another. There are enough A films this year that I'm
not going to bother to list B+ films this time (I don't use either A-
or A+ in my rating system. That's grade inflation.).
As usual, many of the top films are released in December. I saw a
number of these films on screeners (thanks to the studios, publicists
and the Online Film Critics Society). The rest, I saw in Laramie,
Cheyenne, Fort Collins or Denver. Don't feel left out if you haven't
seen all these films. Lots of people haven't seen them all. Most of
these are now available on home video. There are some acclaimed films
that I haven't yet seen yet myself. Many of these films were poorly
distributed around the U.S.
I did see “The Dark Knight” of course, which is probably the film with
the most awards that didn't make my top 10 list. It was a good film,
but it didn't impress me enough to make my top 10 list. The same is
true for the animated film “WALL·E.” It made my top five list for
animated films, but not top 10 film overall, as it did on many lists.
The other film that bowled most critics over was the documentary film
“Man on Wire.” It looks better on a big screen. I saw it first on
video, where it put me to sleep repeatedly. The critical love for these
three films, “The Dark Knight,” “WALL·E” and “Man on Wire” came as a
surprise to me. I didn't think these films were good enough to win any
awards, with an exception for the late Heath Ledger's performance as
The Joker. He was awesome.
Below the list of top films are a list of honorable mentions, followed
by lists of my picks for top director, top actor, top foreign film,
etc. Those lists are followed by lists of the worst films, overrated
films, funniest, saddest, etc. I've added a couple of Dubious Distinction awards as a satirical comment on certain awards that seem to be based on factors
that are literally skin deep. Ordinarily, my top 10 lists include more
comedy and films starring black actors. That doesn't seem to be the
case this year, except for my inclusion of “Definitely, Maybe” as a top
film. I'm sure it won't appear on very many top 10 lists. Drama is
easy, but romantic comedy is tough to get right.
Best 10 films of 2008
This near-perfect little film puts a
different spin on the whole issue of immigration, but it is really
about following your heart. Richard Jenkins gives a wonderful
performance in this film.
This is a great caper movie about small
time hoods who score big, then are hunted by both government agents and
underworld thugs. It builds tremendous suspense.
This is the year's best romantic comedy,
and that is a very tough genre to perfect. This film has as much heart
as it does wit and wisdom.
This film seems epic and personal at the
same time. It starts out with a beautiful fantasy about a clockmaker
and ends with a warmly humanistic tale of life's challenges told from a
different perspective.
A great cross-genre film which uses a TV
game show to tell the life story of a young man searching for the love
of his life.
This film about the famous interviews of
Richard Nixon by TV presenter David Frost manages to build a lot of
suspense despite the fact that the outcome is well known. A teriffic
performance by Frank Langella as Richard Nixon.
This is the year's best documentary. It
covers a subject that liberals have a hard time facing: That certain
laws written to protect the rights of criminals do so at the expense of
innocent victims. This is a story about a terrible injustice.
This Clint Eastwood movie based on a true
story is as powerful as any film released in 2008, but for some reason
it wasn't as well received as Eastwood's more popular film, “Gran
Torino.” Angelina Jolie stars in this film set during a time in history
when women had few rights in America. The performances by Jolie, John
Malkovich and Jason Butler Harner are all outstanding.
Although Kate Winslet won her award for her
role in “The Reader,” in which she appears nude (see Dubious Distinctions below), her
best performance was in “Revolutionary Road” as a housewife going crazy
during the 1950s in America. Leonardo DiCaprio also gives a powerful
performance in this film, based on the great American novel.
This is the second best documentary of the
year. It focuses on America's “win at any cost mentality” and the use
of performance enhancing drugs in sports, particularly steroids. It
hits hard at the hypocrisy in sports and questions the conventional
wisdom regarding steroid use. This is a real eye-opener.
Honorable Mention
This is the third best documentary of the
year. It reveals the Mardi Gras celebration in Mobile, Alabama to be
exotic, unexpected, colorful and incredibly ritualized, layered with
vast amounts of tradition, denial, submerged racial agendas and
hypocrisy. This is a side of America most have never seen.
This is the most ambitious and challenging
film of the year. It might even be the best film of the year. It is so
deep it requires multiple viewings to get to the bottom of it and I've
only seen it once. It is a fascinating meditation on the nature of the
creative mind.
More lists below
Links to reviews of all the films below are indexed in the
following web pages:
Best director
1. Ron Howard -- Frost/Nixon
2. David Fincher -- The Curious Case of Benjamin Button
3. Danny Boyle -- Slumdog Millionaire
4. Sam Mendes -- Revolutionary Road
5. Adam Brooks -- Definitely Maybe
Best actor
1. Mickey Rourke -- The Wrestler
2. Richard Jenkins -- The Visitor
3. Frank Langella -- Frost/Nixon
4. Robert Downey Jr. -- Iron Man
5. Leonardo DiCaprio -- Revolutionary Road
Best actress
1. Sally Hawkins -- Happy-Go-Lucky
2. Kate Winslet -- Revolutionary Road
3. Meryl Streep -- Doubt
4. Angelina Jolie -- Changeling
5. Frances McDormand -- Miss Pettigrew Lives For a Day
Best supporting actor
1. Heath Ledger -- The Dark Knight
2. Philip Seymour Hoffman -- Doubt
3. Robert Downey Jr. -- Tropic Thunder
4. Tom Cruise -- Tropic Thunder
5. Jeff Bridges (-) Iron Man
Best supporting actress
1. Viola Davis (-) Doubt
2. Amy Adams (-) Doubt
3. Amy Adams (-) Miss Pettigrew Lives For a Day
4. Penelope Cruz (-) Vicky Cristina Barcelona
5. Elsa Zylberstein (-) I've Loved You So Long
Best adapted screenplay
1. The Curious Case of Benjamin Button (-) Eric Roth
2. Slumdog Millionaire (-) Simon Beaufoy
3. Revolutionary Road (-) Justin Haythe
4. Frost/Nixon (-) Peter Morgan
5. Iron Man (-) Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway
Best original screenplay
1. The Visitor (-) Thomas McCarthy
2. Definitely, Maybe (-) Adam Brooks
3. Bank Job, The (-) Dick Clement and Ian La Frenais
4. Changeling (-) J. Michael Straczynski
5. In Bruges (-) Martin McDonagh
Best foreign language film
1. I've Loved You So Long
2. The Class
3. 4 Months, 3 Weeks and 2 Days
4. Mongol
5. Let the Right One In
Best cinematography
1. Australia
2. Slumdog Millionaire
3. Revolutionary Road
4. The Curious Case of Benjamin Button
5. Appaloosa
Best breakthrough performance
1. Jason Butler Harner (-) Changeling
2. Dev Patel (-) Slumdog Millionaire
3. Danai Jekesai Gurira (-) The Visitor
4. Haaz Sleiman (-) The Visitor
5. Brandon Walters (-) Australia
Best breakthrough filmmaker
1. Martin McDonagh (-) In Bruges
2. Philippe Claudel (-) I've Loved You So Long
3. Kurt Kuenne (-) Dear Zachary: A Letter to a Son About His Father
4. Mark Osborne and John Stevenson (-) Kung Fu Panda
5. Nicholas Stoller (-) Forgetting Sarah Marshall
Best documentary feature
1. Dear Zachary: A Letter to a Son About His Father
2. Bigger, Stronger, Faster: The Side-Effects of Being American
3. The Order of Myths
4. A Snowmobile For George
5. Young@Heart
Best animated feature
1. Bolt
2. Kung Fu Panda
3. Wall-E
4. Horton Hears a Who
5. The Tale of Despereaux
Best film editing
1. The Curious Case of Benjamin Button - Kirk Baxter and Angus Wall
2. Slumdog Millionaire - Chris Dickens
3. Dear Zachary: A Letter to a Son About His Father -- Kurt Kuenne
4. Bigger, Stronger, Faster: The Side-Effects of Being American --
Brian Singbiel
5. Changeling (-) Joel Cox and Gary Roach
Best original musical score
1. Australia (-) David Hirschfelder
2. Appaloosa (-) Jeff Beal
3. Alexandre Desplat – The Curious Case of Benjamin Button
4. Clint Eastwood – Changeling
5. Danny Elfman – Milk
Links to reviews of all films on this site are indexed below:
Funniest film of the year
Saddest film of the year
The year's most overrated films
The year's best films you've never heard of
The Worst Films of 2008
While I saw most of the best films of the year, I purposefully missed
nearly all of the worst films, including The Hottie and the
Nottie, Harold, Meet the
Spartans, Strange Wilderness, College,
In the Name of the King: A Dungeon Siege Tale, Surfer,
Dude, Witless Protection, Prom
Night, 88 Minutes, Saw V,
An American Carol, Expelled: No
Intelligence Allowed, House of the Sleeping
Beauties, Take, Postal,
Disaster Movie, Repo! The Genetic Opera,
The Love Guru, Towelhead, Meet
Dave, among many others, so this is not in any way a list of
the worst of the worst films, just the worst of the films I saw. After
all, I don't get into the movies for free, and I don't like to waste my
money, but I got fooled into watching the following films anyway:
Dubious Distinctions
The honorary Roman Polanski Juicy Jailbait Award,
also known as the “Breakthrough Actor” award or the “Newcomer” award
(insert Beavis and Butthead snickering here) is the first dubious
distinction. The second dubious distinction is the Marilyn
Chambers Memorial Nudity Award.
The jailbait award is usually won by very attractive, very young women,
or girls, some of whom are prepubescent, or at who least look like they
might be. Why is this you ask? Because most film critics are men and
most men (especially older men) have trouble remembering actors at the
end of the year for awards purposes unless they are very young and
pretty. O.K., so they are dirty old men.
Past winners are Saoirse Ronan for “Atonement,” Anna
Paquin for “The Piano,” Ziyi Zhang for
“Crouching Tiger, Hidden Dragon,” of course Polanski's old flame, Natasha
Kinski for “Tess” and most of the cast of “Thirteen.”
The award this year goes to Lina Leandersson for
“Let the Right One In” (Låt den rätte komma in). She is very pretty and
plays the part of a 12-year-old vampire. She also appears partially
nude in the film and there is even a brief image of her vagina (unless
that shot was of some sort of vagina double) in the film. No contest!
We've got a winner!
The second dubious distinction is the Marilyn Chambers
Memorial Nudity Award (If I have to take my clothes off to
win an award, then so be it):
Kate Winslet wins the 2008 nudity award for her
naked performance in “The Reader.” Winslet is a fine actress and she
shouldn't have to take off all her clothes to win an Oscar, but that is
what it took to get past the competition. She was even better in
“Revolutionary Road,” but kept her clothes on in that film, and
consequently didn't even get an Oscar nomination for her great
performance. She did, however, win a Golden Globe award for her
performance in “Revolutionary Road.” Apparently European voters are
more jaded about nudity, and can look past it to see the performance
underneath, as it were. Past winners of the nudity award are, Rinko
Kikuchi for “Babel,” Maria Bello for “A
History of Violence” and Kristen Scott Thomas for
“The English Patient.”
These are the kinds of awards that guys just never win for some reason.
Links to reviews of all the films are indexed below:
Copyright © 2008 Robert Roten. All rights
reserved.
Reproduced with the permission of the copyright holder.
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