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Laramie Movie Scope:
Prince Avalanche

Two guys lost in the woods, and in life

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by Robert Roten, Film Critic
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November 12, 2013 -- In a burned out forest on an unused road, two guys paint a center stripe on the road and install reflector poles on the sides of the road and talk about life. There are few other characters in this film, and not much happens, but these two guys grow on you a bit.

The two guys are Alvin (Paul Rudd of “This is the End”) and a younger man, Lance (Emile Hirsch of “Into the Wild”). Alvin likes to be alone and camps in the woods by himself when Lance goes to town. Lance gets lonely and hungers for female companionship and sex. He chafes under Alvin's straight laced ways and his controlling nature. Also, Alvin is his boss, and his mother's boyfriend.

There is an uneasy truce between the two men. Alvin thinks Lance is a slacker who will amount to nothing in life. Lance thinks Alvin is an insecure know-it-all who isn't nearly as smart as he thinks he is. It turns out that Lance is smarter and more decent than Alvin thinks he is. It also turns out that Alvin is smarter than Lance thinks he is, but Alvin's estimation of his own intelligence is a bit high, too.

Alvin and Lance both receive emotionally powerful news which knocks them out of their existing relationships. The introduction of a lot of booze, thanks to a strange old man who happens by (Lance LeGault of “Stuntmen”) causes a major emotional shift in the relationship between Alvin and Lance, including a scene with Alvin chasing Lance through the woods carrying a large wrench as a weapon.

They talk about their relationships with women in the awkward, uncomfortable, dissembling way that men discuss matters of the heart and finally come to terms with each other. Early in the film, the two men existed in a very uneasy truce. At the end, they are finally at peace with each other. The remarkable thing is, there is nothing remarkable about these two men at all, which makes them an unlikely subject for an American film. This is more like a European film.

Another person who appears in the film is Joyce Payne, who plays a mysterious lady seen several times in the film, sometimes with an old truck driver, who steadfastly denies she is in the truck, even when she is. There is one poignant scene between Alvin, and the lady, who is combing through the ashes of the remains of her home trying to find what remains of her life.

As the lady gets into the truck with the crazy old truck driver, who denies she is in the truck. Alvin says to him something like, “If there was a lady in your truck, and I'm not saying there is, you'd be good to her, right? You'd make sure everything was all right?” The crazy old truck driver says, “You better believe it!”

At the end of the film, you get the feeling that these are all decent people who will treat everyone right, including each other. This is a slow moving film, and not much happens, but I liked the characters and the performances, which were all right on the money. Still, it is slow moving, so it isn't for everyone. But I liked it well enough to give it a mild thumbs up. It rates a C+.

Click here for links to places to buy or rent this movie in digital formats, or to buy the soundtrack, posters, books, even used videos, games, electronics and lots of other stuff. I suggest you shop at least two of these places before buying anything. Prices seem to vary continuously. For more information on this film, click on this link to The Internet Movie Database. Type in the name of the movie in the search box and press enter. You will be able to find background information on the film, the actors, and links to much more information.

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Copyright © 2013 Robert Roten. All rights reserved.
Reproduced with the permission of the copyright holder.
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Robert Roten can be reached via e-mail at my last name at lariat dot org. [Mailer button: image of letter and envelope]

(If you e-mail me with a question about this or any other movie or review, please mention the name of the movie you are asking the question about, otherwise I may have no way of knowing which film you are referring to)