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Laramie Movie Scope:
Stone

A swirling miasma of dark mystery and obscure motives

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by Patrick Ivers, Film Critic
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(2010) The soul begins as a mineral, a pebble, something inanimate and evolves. Parole officer Jack Mabry (Robert De Niro), nearing retirement, has been married for 43 years to Madylyn (Frances Conroy); their daughter Candace, mother of a three-year-old daughter getting a divorce, as an infant Jack threatened to throw out the upper-story bedroom window of their home when Madylyn told him she wanted to leave him.

He listens to talk radio and religious programs along with watching golf on tv; he attends Episcopalian church services regularly with his devote wife but feels no connection to God. Jack's brother has died; he feels alone in the world. At the prison he interviews inmates to determine whether or not to recommend their early release.

Initially a particularly tough nut to crack, an angry young Caucasian with his hair in corn rows, Gerald "Stone" Creeson (Edward Norton), convicted of accessory to murder and arson (his cousin murdered their grandparents), settles down and engages a colloquy, telling Jack how badly he wants to get back to his beautiful wife and then asking the lawman how he's able to maintain a sexual relationship for so long with the same woman when she's old. "We're not talking about me," Jack crossly reminds Stone.

On her next visit to see Stone at the prison, Lucetta Creeson (Milla Jovovich) agrees - "I would do anything for you" - to personally contact and attempt a seduction of Jack. From an original screenplay by Angus MacLachlan, director John Curran conjures up a swirling miasma of dark mystery and obscure motives.

"You never did anything bad?" Stone inquires of Jack, demanding to know how long he gets to keep judging a person for one mistake. After resisting Lucetta's informal encounters, insisting she must go through official channels, he succumbs to her wiles: "Can't I persuade you?"

In a personal meeting with his priest, asking what God wants for him, Jack's told that God speaks to us in mysterious ways. In what appears to be part of a ploy, Stone begins to study a path toward spiritual enlightenment with aural cues, but the constant noise disturbs his efforts to listen profoundly. He then experiences a genuine epiphany as a witness to two white prisoners brutally attacking and killing a black inmate.

His perspective and attitude radically altered by a spiritual truth - describing it as vibrations such as the sound of a bee growing enormously - Stone tells Jack that he believes in God's plan, accepting what happens as the journey on which he's supposed to be traveling. He also cautions Jack not to listen to Lucetta, an atheist, an alien, a freak, who's "working on you."

Jack, interpreting everything as part of a con game he's trapped within, exclaims: "No one changes for the better!" But Stone offers calm assurance: "I'm pulling for you." At the climax, whether arson (as Jack's certain) or an act of God (as Madylyn, as if peering into a burning bush, believes), awesome flames confound and consume the hollow reed of a man.

Click here for links to places to buy or rent this movie in video and/or DVD format, or to buy the soundtrack, posters, books, even used videos, games, electronics and lots of other stuff. I suggest you shop at least two of these places before buying anything. Prices seem to vary continuously. For more information on this film, click on this link to The Internet Movie Database. Type in the name of the movie in the search box and press enter. You will be able to find background information on the film, the actors, and links to much more information.

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Copyright © 2010 Patrick Ivers. All rights reserved.
Reproduced with the permission of the copyright holder.
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Patrick Ivers can be reached via e-mail at nora's email address at juno. [Mailer button: image of letter and envelope]

(If you e-mail me with a question about this or any other movie or review, please mention the name of the movie you are asking the question about, otherwise I may have no way of knowing which film you are referring to)